The rape of Lucretia | Luzerner Theater
"Around Lucretia, her nurse Bianca (Marcela Rahal) and the servant Lucia (Tania Lorenzo) make a strong duo. Lorenzo is not only a lively servant in her acting. Her brightly radiant and very agile soprano also complements Rahal's darker voice perfectly - their duets get under the skin."
"Especially in the ensembles they convince with intimate cooperation and distinctive vocal profiles."
"[...] an ensemble that is almost luxuriously cast, even in the supporting roles. This is especially true of the women's voices, which contribute the fullness of the euphony to Britten's sometimes unwieldy music (as servants: Tania Lorenzo and Marcela Rahal)."
"What is convincing throughout the production are the vocal soloists - as a collective. They all play and sing their roles in an impressive way, proving that they have grown together even more as an ensemble since the start of the new season in the fall. They manage to create an arc of tension throughout the evening; it never gets boring or arbitrary. Whether in the loud, brute passages or the quiet, delicate ones: it is a real pleasure to listen to the singers."
"Helpless and compassionate Tania Lorenzo as the servant Lucia with a bell-bright soprano."
"All sing so clearly that there is often no need to look at the surtitles and one can fully engage with the intense stage action."
Il trionfo del tempo | Luzerner Theater
"Tania Lorenzo rises from the silent lament of the loss of youth and beauty. And she does this with such expressive power that you have to tick rows of words - sublime, melancholic, sublime - on the questionnaire. [...] Then, for example, when the researcher, entrenched behind her façade, loses her composure in the face of the soprano's emotional power."
Le nozze di Figaro | Luzerner Theater
"Everything comes together in the soprano Tania Lorenzo: perky playfulness, vocal assertiveness and an emotional intensity whose silver sheen extends effortlessly even over the large, room-filling ensembles [...] The strength of this production in the joy of playing with which the new with which the new ensemble of singers presents itself - with acast".
"The ensemble inspires with enormous joy of playing and stage presence as well as a consistently excellent understanding of the text [...] Tania Lorenzo is a Susanna as her creators might have imagined: resolute, hands-on and simply lovable".
"Well, the young Lucerne ensemble succeeds in an action-packed, captivating performance of a high standard [...] Thus we have the ideal cast for the title role right before our eyes: [...] his chosen one, the maid Susanna, ravishingly sung and played by Tania Lorenzo, is a lively, spirited pretty who can also punch and hiss when she has to defend her rights".
Innerschweiz Online, October 31, 2021
"The soloists of the evening shone with precisely led voices and a clear role profile".
"The premiere succeeded in an impressive way".
Attacco | Luzerner Theater
Concierto Fundación DISA | Orquesta Filarmónica de Gran Canaria
L'elisir d'amore, Donizetti | Ópera Las Palmas
There was a very young cast, almost all in their twenties, who vocally and staged their characters without problems, bringing a naturalness and freshness not always within the reach of more veteran singers. [...] The Canarian Tania Lorenzo was an impeccable Giannetta.
Tania Lorenzo, a young local voice, was equally successful in all aspects.
Réquiem, Fauré | Festival Internacional de Música de Canarias
The "Requiem" of peace and resurrection
The beautiful voice and sensitivity of the Canarian soprano Tania Lorenzo shone through.
The Requiem was enhanced by the successful participation of the soloists. Tania Lorenzo admirably resolved the Pie Jesu.