"They are both adorable, the perky, radiantly singing Tania Lorenzo popping the bubble gum bubble in the face of her father, the nobleman of Faninal (Jason Cox)."

Peter Hagmann, Opernwelt, March 2023 

"Tania Lorenzo Castro gives Herr von Faninal's daughter Sophie with a clear, youthfully fresh soprano and stands out from the rest of the ensemble with this stage presence."

Jan Krobot, Online Merker, 27.01.2023 

"A special innovation for Tania Lorenzo Castro as Sophie. A wimpy devoted character in many "Rosenkavalier" productions, here in Lucerne she is positioned as a snotty twen with chewing gum, which the petite Spaniard nails vocally and in attitude."

"The vocal level is great throughout the band."

Andréas Härry, Anzeiger Luzern, 23.01.2023 

"Tania Lorenzo sings and plays this part stunningly: witty, cheeky, clear as a bell in her intonation, and yet also delicately strung."

Sibylle Ehrismann, Seniorweb, 22.01.2023 

BRILLIANT SINGERS

"And the boys rehearse the uprising: the perky, lively Sophie of the blood-young Spanish Tania Lorenzo Castro strips off the silly rococo garb - and stands as today's blonde girlie in T-shirt, shorts and jumper boots."

"With the wonderfully homogeneous female trio of Eyrún Unnarsdótir, Solenn' Lavanant Linke and Tania Lorenzo Castro, however, she also has credible, stunningly youthful singer-actresses from her own ensemble at her disposal who would do credit to any state opera. A sensation, especially since all three. These three singers alone are worth every trip to Lucerne."

Friedemann Leipold, BR-Klassic, 21.01.2023

"Sophie was the petite but more rebellious Tania Lorenzo, endowed with a crystal clear silver voice that easily reached the heights in the presentation of roses."

John H. Müller, Der neue Merker, February 2023

"Vocally perfect Tania Lorenzo Castro, a self-confident, blood-young Sophie in shorts and Chelsea boots."

Marinella Polli, Innerschweiz Online, 07.02.2023 

"Tania Lorenzo Castro combines high-altitude glamour with the carefree peakedness of the self-confident teenager."

Urs Mattenberger, Luzerner Zeitung, 22.01.2023

"Tania Lorenzo Castro's Sophie was simply enchanting."

"With an ensemble that is also very happy to engage in acting with a lot of physical activity."

Reinman Wagner, Musik&Theater, besuchte Vorstellug: 26. January 2023

"In between there are a good 3 hours of pure musical pleasure and delicious director's theatre [...] The trio Sophie (Tania Lorenzo Castro), Octavian (Solenn' Lavanant Linke) and Marschallin (Tineke van Ingelgem) is grandiose, absolutely enchanting, acting and musically on the point, the final terzet and duet form a wonderful finale in this great production. Bravi - Bravi - Bravi!"

Arcimboldis World, 15.02.2024  

"The Canarian soprano Tania Lorenzo had a very outstanding performance. I found her voice clear, sweet and with an excellent singing technique. She knew how to overcome a very complicated score, in my opinion, too much time in the treble, with forced sudden descents to the lower registers, without passing through the more cantabile intermediate zone. Very well."

Jesús Sánchez-Ferragut, Diario de Cádiz, 08.09.2022

"All strong voices which, however, only get room to unfold selectively."

Dresdner Neuste Nachrichten, 05.09.2022

"Self-created digital images of one's own personality, including playfully researching children (Tania Lorenzo)."

André Sperber, Concerti.de, 05.09.2022

"The young shepherdess (wonderfully Tania Lorenzo Castro)."

                                                                                                                            Michael Vieth, Bachtrack, 28.06.2022

"Soprano Tania Lorenzo's Belinda was incisive and dynamic, showing at all times some exciting singing resources, with a ductile singing line, a wide sound and a suggestive voice, possibly the best of the evening."

                                                                                                                        Agustín Arocha, Ópera Actual 19.04.2022

"Among the  soloists- appart from the four fabulously cast main roles- Tania Lorenzo's vocally and dramatically lively Lucia is partculary striking."

Jürgen Otten - Opernwelt 5/22

"Around Lucretia, her nurse Bianca (Marcela Rahal) and the servant Lucia (Tania Lorenzo) make a strong duo. Lorenzo is not only a lively servant in her acting. Her brightly radiant and very agile soprano also complements Rahal's darker voice perfectly - their duets get under the skin."

"Especially in the ensembles they convince with intimate cooperation and distinctive vocal profiles."

Seniorweb, March 2022 

"[...] an ensemble that is almost luxuriously cast, even in the supporting roles. This is especially true of the women's voices, which contribute the fullness of the euphony to Britten's sometimes unwieldy music (as servants: Tania Lorenzo and Marcela Rahal)."

Luzerner Zeitung, March 2022

"What is convincing throughout the production are the vocal soloists - as a collective. They all play and sing their roles in an impressive way, proving that they have grown together even more as an ensemble since the start of the new season in the fall. They manage to create an arc of tension throughout the evening; it never gets boring or arbitrary. Whether in the loud, brute passages or the quiet, delicate ones: it is a real pleasure to listen to the singers."

SRF Regionaljournal Zentralschweiz

"Helpless and compassionate Tania Lorenzo as the servant Lucia with a bell-bright soprano."

"All sing so clearly that there is often no need to look at the surtitles and one can fully engage with the intense stage action."

Adrian Thomas, ARCIMBOLDIS_WORLD, 13.3.2022

"Tania Lorenzo rises from the silent lament of the loss of youth and beauty. And she does this with such expressive power that you have to tick rows of words - sublime, melancholic, sublime - on the questionnaire. [...] Then, for example, when the researcher, entrenched behind her façade, loses her composure in the face of the soprano's emotional power." 

Luzerner Zeitung, December 2021

"Everything comes together in the soprano Tania Lorenzo: perky playfulness, vocal assertiveness and an emotional intensity whose silver sheen extends effortlessly even over the large, room-filling ensembles [...] The strength of this production in the joy of playing with which the new with which the new ensemble of singers presents itself - with acast".

Luzerner Zeitung, October 31, 2021

"The ensemble inspires with enormous joy of playing and stage presence as well as a consistently excellent understanding of the text [...] Tania Lorenzo is a Susanna as her creators might have imagined: resolute, hands-on and simply lovable". 

Online Merker, October 31, 2021

"Well, the young Lucerne ensemble succeeds in an action-packed, captivating performance of a high standard [...] Thus we have the ideal cast for the title role right before our eyes: [...] his chosen one, the maid Susanna, ravishingly sung and played by Tania Lorenzo, is a lively, spirited pretty who can also punch and hiss when she has to defend her rights".

Innerschweiz Online, October 31, 2021

"The soloists of the evening shone with precisely led voices and a clear role profile".

Philipp Zingg, Luzerner Zeitung, October 5, 2021

"The premiere succeeded in an impressive way".

Regionaljournal Zentralschweiz, October 31, 2021

First of all, the women come up trumps. Tania Lorenzo's luminous, slender soprano. Shows her dramatic potential as Susanna also in Britten.

Luzerner Zeitung, September 27, 2021

The performance is mainly due to Dido's confidante Belinda, the splendidly clear Tania Lorenzo.

NRC, Mai 2, 2021

Musically, this production deserves a gold medal anyway. The singing and musicianship are of a high level. 

Theaterkrant, Mai 2, 2021 

[...] the programme demanded from them the maximum display of technical and vocal virtuosity and expressiveness.

La Provincia, 21 de diciembre 2020 

There was a very young cast, almost all in their twenties, who vocally and staged their characters without problems, bringing a naturalness and freshness not always within the reach of more veteran singers. [...] The Canarian Tania Lorenzo was an impeccable Giannetta.

Ritmo, Juan Francisco Román Rodríguez, March 11, 2020

Tania Lorenzo, a young local voice, was equally successful in all aspects.

Ópera actual, Cayetano Sánchez, 6 de marzo de 2020

The "Requiem" of peace and resurrection

The beautiful voice and sensitivity of the Canarian soprano Tania Lorenzo shone through.

La Provincia, Guillermo García Alcalde, 21 de enero de 2020

The Requiem was enhanced by the successful participation of the soloists. Tania Lorenzo admirably resolved the Pie Jesu.

Diario Avisos, Zenaido Hernández, 21 de enero de 2020

1-0 for the girls

Even the two minor characters of Frasquita (Tania Lorenzo) and Mercedes (Stepanka Pucalkova) definitely stole the show from him. They have only short entrances, but they made the most of them. Both gave a very solid, very strong performance and contributed a great part to the success of the evening.

Operagazet, Gabi Eder, 9 Juni 2019

Folk rhythms and changing times in German language version of Smetana's Bartered Bride

Duped by Marie and laughed at by everyone, he at least finds a possible future with the delightfully sparky Esmeralda of Tania Lorenzo.

Bachtrack, John Johnston, 27 abril 2019

Hell ride of a transvestite

We were able to experience an enchanting cupid by the soprano of the Young Ensemble Tania Lorenzo.

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IOCO, Thomas Thielemann, 10 April 2019

Alongside the first-class Wagner singers previously mentioned, Tania Lorenzo, her soprano voice clear and bell-like, made a strong impression in the smaller role of young shepherd.

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Opera Journal, Václav Bečvář, 18 Februar 2019

A success

Spanish-born Tania Lorenzo (soprano) intoned very sensitively.

The works, which are not so common in the German-speaking world, were interpreted with great sensitivity. Especially with the Debussy song "Apparition" the two artists unfolded a real firework of sound colours.

The second part featured songs by the famous American Charles Ives. Tania Lorenzo also showed her mastery here with adventurously fast text passages.

The selected songs were a joy to the ear, both from the lyrics and the composition, especially since the two artists devoted themselves to the works with great emotionality.

DHR Stiftung, 12 November 2018

Dresden: Carmen

Tania Lorenzo as Frasquita and Grace Durham as Mercédès filled their roles with life, both vocally and with their natural play.

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Online Merker, Ingrid Gerk, 28 Juni 2018

Voices must not be stolen

[...] But if you have an opera to be published with a ten-year-old girl as the main character, then it is an absolute stroke of luck to have a young ensemble with a singer-actress like the Spanish singer Tania Lorenzo at your disposal. She does indeed look girlish, but has such an enchanting soprano that this part seems to be written all over her body and throat. On top of that she can smile winningly. [...] 

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NMZ online, Michael Ernst, 15 Mai 2018

Charming adventure

An extremely entertaining production, not only of the heroine given by Tania Lorenzo in a lively manner.

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Dresdner Neueste Nachrichten, Wieland Schwanebeck, 15 Mai 2018

Praise and Deploration of Christ

The soprano Tania Lorenzo in an exhausting tour de force but faced with courage, intensity and canonic means.

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La Provincia, Guillermo García Alcalde, 31 de Marzo de 2018 

Praise and Deploration of Christ

The presentation of the soprano Tania Lorenzo is impeccable in volume, vocal quality and expressive style.

La Provincia, Guillermo García Alcalde, 31 de Marzo de 2018 

Tania Lorenzo's voice conquers the audience

Lorenzo, who made a classroom vibrate by registering a large entrance. The imposing voice of Tania Lorenzo was accompanied by the Canarian pianist Nauzet Mederos. 

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Desde Soria, 14 de septiembre de 2016

Recital by Tania Lorenzo

The Canarian soprano gave a magnificent recital. Even in her youth she showed why she was a winner of the First Prize.

Her vocal projection, together with her timbre and her ability to change register, as well as her power and ease in the high register, served to dazzle the audience that attended this new concert.

In the first part, made up of works by Claude Debussy, Reynaldo Hahn, Robert Schumann and Richard Strauss, her qualities as a lyrical soprano stood out, in contrast to the beginning of the second part, with the first two arias, by Gaetano Donizetti the first, as well as Wolfgang Amadeus Mozart, pieces with a virtuosity almost typical of a light soprano. 

In addition to her musical qualities, Tania Lorenzo stood out for her interpretative capacity, which allowed her to adapt to the repertoire with total versatility. 

Desde Soria, Soledad Atienza, 24 de septiembre de 2016

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