PRESS
Magallanes. Réquiem in Memoriam | Sanlúcar de Barrameda
September 2022
"The Canarian soprano Tania Lorenzo had a very outstanding performance. I found her voice clear, sweet and with an excellent singing technique. She knew how to overcome a very complicated score, in my opinion, too much time in the treble, with forced sudden descents to the lower registers, without passing through the more cantabile intermediate zone. Very well."
Chasing Waterfalls | Semperoper Dresden
September 2022
"All strong voices which, however, only get room to unfold selectively."
Dresdner Neuste Nachrichten, 05.09.2022
"Self-created digital images of one's own personality, including playfully researching children (Tania Lorenzo)."
The rape of Lucretia | Luzerner Theater
March 2022
"Among the soloists- appart from the four fabulously cast main roles- Tania Lorenzo's vocally and dramatically lively Lucia is partculary striking."
Jürgen Otten - Opernwelt 5/22
"Around Lucretia, her nurse Bianca (Marcela Rahal) and the servant Lucia (Tania Lorenzo) make a strong duo. Lorenzo is not only a lively servant in her acting. Her brightly radiant and very agile soprano also complements Rahal's darker voice perfectly - their duets get under the skin."
"Especially in the ensembles they convince with intimate cooperation and distinctive vocal profiles."
"[...] an ensemble that is almost luxuriously cast, even in the supporting roles. This is especially true of the women's voices, which contribute the fullness of the euphony to Britten's sometimes unwieldy music (as servants: Tania Lorenzo and Marcela Rahal)."
"What is convincing throughout the production are the vocal soloists - as a collective. They all play and sing their roles in an impressive way, proving that they have grown together even more as an ensemble since the start of the new season in the fall. They manage to create an arc of tension throughout the evening; it never gets boring or arbitrary. Whether in the loud, brute passages or the quiet, delicate ones: it is a real pleasure to listen to the singers."
SRF Regionaljournal Zentralschweiz
"Helpless and compassionate Tania Lorenzo as the servant Lucia with a bell-bright soprano."
"All sing so clearly that there is often no need to look at the surtitles and one can fully engage with the intense stage action."
Il trionfo del tempo | Luzerner Theater
December 2021
"Tania Lorenzo rises from the silent lament of the loss of youth and beauty. And she does this with such expressive power that you have to tick rows of words - sublime, melancholic, sublime - on the questionnaire. [...] Then, for example, when the researcher, entrenched behind her façade, loses her composure in the face of the soprano's emotional power."
Le nozze di Figaro | Luzerner Theater
October 2021
"Everything comes together in the soprano Tania Lorenzo: perky playfulness, vocal assertiveness and an emotional intensity whose silver sheen extends effortlessly even over the large, room-filling ensembles [...] The strength of this production in the joy of playing with which the new with which the new ensemble of singers presents itself - with acast".
Luzerner Zeitung, October 31, 2021
"The ensemble inspires with enormous joy of playing and stage presence as well as a consistently excellent understanding of the text [...] Tania Lorenzo is a Susanna as her creators might have imagined: resolute, hands-on and simply lovable".
Online Merker, October 31, 2021
"Well, the young Lucerne ensemble succeeds in an action-packed, captivating performance of a high standard [...] Thus we have the ideal cast for the title role right before our eyes: [...] his chosen one, the maid Susanna, ravishingly sung and played by Tania Lorenzo, is a lively, spirited pretty who can also punch and hiss when she has to defend her rights".
Innerschweiz Online, October 31, 2021
"The soloists of the evening shone with precisely led voices and a clear role profile".
Philipp Zingg, Luzerner Zeitung, October 5, 2021
"The premiere succeeded in an impressive way".
Regionaljournal Zentralschweiz, October 31, 2021
Attacco | Luzerner Theater
September 2021
First of all, the women come up trumps. Tania Lorenzo's luminous, slender soprano. Shows her dramatic potential as Susanna also in Britten.
Dido & Eneas, Purcell | Muziekgebouw Amsterdam
Mai 2021
The performance is mainly due to Dido's confidante Belinda, the splendidly clear Tania Lorenzo.
Musically, this production deserves a gold medal anyway. The singing and musicianship are of a high level.
Concierto Fundación DISA | Orquesta Filarmónica de Gran Canaria
December 2020
[...] the programme demanded from them the maximum display of technical and vocal virtuosity and expressiveness.
L'elisir d'amore, Donizetti | Ópera Las Palmas
March 2020
There was a very young cast, almost all in their twenties, who vocally and staged their characters without problems, bringing a naturalness and freshness not always within the reach of more veteran singers. [...] The Canarian Tania Lorenzo was an impeccable Giannetta.
Ritmo, Juan Francisco Román Rodríguez, March 11, 2020
Tania Lorenzo, a young local voice, was equally successful in all aspects.
Réquiem, Fauré | Festival Internacional de Música de Canarias
January 2020
The "Requiem" of peace and resurrection
The beautiful voice and sensitivity of the Canarian soprano Tania Lorenzo shone through.
La Provincia, Guillermo García Alcalde, 21 de enero de 2020
The Requiem was enhanced by the successful participation of the soloists. Tania Lorenzo admirably resolved the Pie Jesu.
Carmen, Bizet | Semperoper Dresden
Juni 2019
1-0 for the girls
Even the two minor characters of Frasquita (Tania Lorenzo) and Mercedes (Stepanka Pucalkova) definitely stole the show from him. They have only short entrances, but they made the most of them. Both gave a very solid, very strong performance and contributed a great part to the success of the evening.
Operagazet, Gabi Eder, 9 Juni 2019
Die verkaufte Braut, Smetana | Semperoper Dresden
April 2019
Folk rhythms and changing times in German language version of Smetana's Bartered Bride
Duped by Marie and laughed at by everyone, he at least finds a possible future with the delightfully sparky Esmeralda of Tania Lorenzo.
Platée, Rameau | Semperoper Dresden
April 2019
Hell ride of a transvestite
We were able to experience an enchanting cupid by the soprano of the Young Ensemble Tania Lorenzo.
Tannhäuser, Wagner | Semperoper Dresden
February 2019
Alongside the first-class Wagner singers previously mentioned, Tania Lorenzo, her soprano voice clear and bell-like, made a strong impression in the smaller role of young shepherd.
18. Liedersalon DRH Stiftung | Robert Schumann Haus Zwickau
November 2018
A success
Spanish-born Tania Lorenzo (soprano) intoned very sensitively.
The works, which are not so common in the German-speaking world, were interpreted with great sensitivity. Especially with the Debussy song "Apparition" the two artists unfolded a real firework of sound colours.
The second part featured songs by the famous American Charles Ives. Tania Lorenzo also showed her mastery here with adventurously fast text passages.
The selected songs were a joy to the ear, both from the lyrics and the composition, especially since the two artists devoted themselves to the works with great emotionality.
Carmen, Bizet | Semperoper Dresden
Juni 2018
Dresden: Carmen
Tania Lorenzo as Frasquita and Grace Durham as Mercédès filled their roles with life, both vocally and with their natural play.
Das Rätsel der gestohlenen Stimmen, Wulff-Woesten | Semperoper Dresden
Mai 2018
Voices must not be stolen
[...] But if you have an opera to be published with a ten-year-old girl as the main character, then it is an absolute stroke of luck to have a young ensemble with a singer-actress like the Spanish singer Tania Lorenzo at your disposal. She does indeed look girlish, but has such an enchanting soprano that this part seems to be written all over her body and throat. On top of that she can smile winningly. [...]
NMZ online, Michael Ernst, 15 Mai 2018
Charming adventure
An extremely entertaining production, not only of the heroine given by Tania Lorenzo in a lively manner.
Dresdner Neueste Nachrichten, Wieland Schwanebeck, 15 Mai 2018
Stabat Mater, Pergolesi | Auditorio Alfredo Kraus
March 2018
Praise and Deploration of Christ
The soprano Tania Lorenzo in an exhausting tour de force but faced with courage, intensity and canonic means.
La Provincia, Guillermo García Alcalde, 31 de Marzo de 2018
Magnificat, Bach | Auditorio Alfredo Kraus
March 2018
Praise and Deploration of Christ
The presentation of the soprano Tania Lorenzo is impeccable in volume, vocal quality and expressive style.
La Provincia, Guillermo García Alcalde, 31 de Marzo de 2018
Otoño Musical Soriano Otoño Musical Soriano | Aula Magna Tirso de Molina
September 2016
Tania Lorenzo's voice conquers the audience
Lorenzo, who made a classroom vibrate by registering a large entrance. The imposing voice of Tania Lorenzo was accompanied by the Canarian pianist Nauzet Mederos.
Desde Soria, 14 de septiembre de 2016
Recital by Tania Lorenzo
The Canarian soprano gave a magnificent recital. Even in her youth she showed why she was a winner of the First Prize.
Her vocal projection, together with her timbre and her ability to change register, as well as her power and ease in the high register, served to dazzle the audience that attended this new concert.
In the first part, made up of works by Claude Debussy, Reynaldo Hahn, Robert Schumann and Richard Strauss, her qualities as a lyrical soprano stood out, in contrast to the beginning of the second part, with the first two arias, by Gaetano Donizetti the first, as well as Wolfgang Amadeus Mozart, pieces with a virtuosity almost typical of a light soprano.
In addition to her musical qualities, Tania Lorenzo stood out for her interpretative capacity, which allowed her to adapt to the repertoire with total versatility.
Desde Soria, Soledad Atienza, 24 de septiembre de 2016